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Cari Associati, Cari Amici,

il nostro vice-presidente, Manuele Gragnolati, ha il piacere di informarvi che è comparso l'Oxford handbook of Dante, in co-direzione con Francesca Southerden ed Elena Lombardi. 

Manuele e Francesca ci avevano presentato la loro opera con una comunicazione fatta in occasione del nostro seminario del 16 dicembre 2020.

Qui trovate la copertina, l’indice e la descrizione dell’opera.

Società Dantesca di Francia

 

Chers sociétaires, chers amis, 

Notre vice-président, Manuele Gragnolati, a le plaisir de vous informer de la parution de l'Oxford handbook of Dante, qu'il co-dirige avec Francesca Southerden et Elena Lombardi. 

Manuele et Francesca nous avaient présenté cet ouvrage lors de leur communication donnée à l'occasion de notre séminaire du 16 décembre 2020. 

Vous trouverez en pièce jointe la couverture, la table des matières ainsi que la description de l'ouvrage. 

Bien cordialement,

SDdF

 

 

The Oxford Handbook of Dante, edited by Manuele Gragnolati, Elena Lombardi, and Francesca Southerden (Oxford: Oxford University Press, 2021)

 

The Oxford Handbook of Dante contains forty-four specially written chapters that provide a thorough and creative reading of Dante's oeuvre. It gathers an intergenerational and international team of scholars encompassing diverse approaches from the fields of Anglo-American, Italian, and continental scholarship and spanning several disciplines: philology, material culture, history, religion, art history, visual studies, theory from the classical to the contemporary, queer, post- and de-colonial, and feminist studies. The volume combines a rigorous reassessment of Dante's formation, themes, and sources, with a theoretically up-to-date focus on textuality, thereby offering a new critical Dante. The volume is divided into seven sections and seeks to challenge the Commedia-centric approach (the conviction that notwithstanding its many contradictions, Dante's works move towards the great reservoir of poetry and ideas that is the Commedia), in order to bring to light a non-teleological way in which these works relate amongst themselves. Plurality and the openness of interpretation appear as Dante's very mark, coexisting with the attempt to create an all-encompassing mastership. The Handbook suggests what is exciting about Dante now and indicate where Dante scholarship is going, or can go, in a global context.

 

Please see:

https://global.oup.com/academic/product/the-oxford-handbook-of-dante-9780198820741?cc=gb&lang=en&

TABLE OF CONTENTS

 

 

Introduction. Dante Unbound: A Vulnerable Life and the Openness of

 

Interpretation, Manuele Gragnolati, Elena Lombardi, and Francesca Southerden

 

Part I: Texts and Textuality

 

1:     The author, Justin Steinberg

 

2:     Memory, Lina Bolzoni

3:     Reading, Mary Carruthers

 

4:     Materiality of the text and manuscript culture, Martin Eisner

5:     The manuscript tradition, or on editing Dante, Fabio Zinelli

 

6:     Commentary (both by Dante and on Dante), Luca Fiorentini

 

7:     Digital Dante, Akash Kumar

 

Part II: Dialogues

 

8:     The Classics, Zygmunt G. Baranski

 

9:     Roman de la Rose, Antonio Montefusco

 

10:      Troubadours, William Burgwinkle

11:      Early Italian lyric, Roberto Rea

 

12:      Comic culture, Fabian Alfie

13:      Visual culture, Gervase Rosser

 

 

Part III: Transforming Knowledge

 

14:      Encyclopaedism, Franziska Meier

 

15:      Medicine, Natascia Tonelli

16:      Visual theory, Simon Gilson

 

17:      The law, Diego Quaglioni

 

18:      Politics, Tristan Kay

19:      Philosophy and theology, Pasquale Porro

 

20:      Religion, Alessandro Vettori

21:      Poetry, Elena Lombardi

Part IV: Space(s) and places

 

22:      Florence and Rome, Giuliano Milani

 

23:      Civitas/Community, Elisa Brilli

 

24:      The Mediterranean, Karla Mallette

25:      The East, Brenda Deen Schildgen

 

26:      Exile, Johannes Bartuschat

27:      Travelling/wandering/mapping, Theodore J. Cachey, Jr.

 

28:      Dante's other worlds, Peter Hawkins

 

Part V: A passionate selfhood

 

29:      Eschatological anthropology, Manuele Gragnolati

30:      Language, Heather Webb

 

31:      The mystical, Bernard McGinn

 

32:      Bodies on fire, Cary Howie

 

Part VI: A non-linear Dante

 

33:      The master narrative and its paradoxes, Nicolò Crisafi

 

34:      Conversion, palinody, traces, Jennifer Rushworth

 

35:      The lyric mode, Francesca Southerden

36:      Errancy: A brief history of Dante's Ferm Voler, Teodolinda Barolini

 

 

Part VII: Nachleben

 

37:      Translations, Martin McLaughlin

 

38:      Dante and the performing arts, Rossend Arqués Corominas

39:      Dante on screen, John David Rhodes

 

40:      Modernist Dante, Daniela Caselli

41:      Dante and the Shoah, Lino Pertile

 

42:      Dante in Caribbean poetics: Language, power, race, Jason Allen-Paisant

 

43:      Queering Dante, Gary Cestaro

 

 

44:      A decolonial feminist Dante: Imperial historiography and gender, Marguerite Waller

 

 

 

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Chers sociétaires, chers amis, 

Nous vous communiquons une nouvelle initiative : un colloque intitulé "Dante, ses critiques, ses imitateurs", qui aura lieu en ligne les 25 et 26 mars 2021. 

Bien cordialement, 

SDdF

 

Il colloquio intitolato “Dante, i suoi critici, i suoi imitatori” si svolgerà on line il 25 e il 26 marzo 2021.

Società Dantesca di Francia

In collaborazione con l’Università Ca’ Foscari di Venezia

Videoconferenza, link su: http://ihrim.ens-lyon.fr/

 

Partners:

Ihrim 

Università Clermont Auvergne

Università di Lyon

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  3. GRANDI MAESTRI DI FRONTE A DANTE_Locandina 1.0
  4. GRANDI MAESTRI DI FRONTE A DANTE_Locandina 2.0
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